dark is a different beast: Excerpt from the script "dark is a different beast" by Andrea L. Hart and Sculptures by Jesse Bercowetz

Help me. I'm caught. Some kind of blinding blare. staring blind. So hot. So Thirsty...That whirl bled the dry outta me. Took me for all I'm worth. I went for it full force. And she burned me. Stole my spark. Turned me. Spurned me. Sparked my snark. Murdered my butterflies. I was getting better I was. Hell and hellfire. I'm a wreck. I'm rubbish. I'm all smoky ash and ashy crash. Can't start over. Can't go back to zero. It'll kill me. I tell you. It... Will ... Kill... Me...

- Excerpt from "dark is a different beast" by Andrea Hart

Monday, November 28, 2011

Excerpt from the script "dark is a different beast" by Andrea L. Hart and Sculptures by Jesse Bercowetz

("Tower" by Jesse Bercowetz)

scene 14: STATIC backstory

BONFIRE and WOMAN walk toward each other across a snowy field. The snow looks like ash falling from the sky. They walk continuously but never get any closer to each other. We hear their voices like in a dream.

woman

Remember how we met?

bonfire

It was cold that night, right?

woman

I was shivering.

You poured your heat inside me like a furnace.

bonfire

And all the fairy tales…

And all the love songs…

But not with us.

woman

I listened to your feet crunch away on the snow.

I try really hard not to be nostalgic.

bonfire

You have to measure these things out carefully.

That’s what they say. I wouldn’t know though.

My mind will have moved on to the next thing.

The next talk. Moments from other moments.

Long pause as they continue to walk. Their feet crunch the snow in rhythm.

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Andrea L. Hart is a writer, director and performer living in the San Francisco Bay Area. Her plays include: Splinters...and Other F-Words (“Best New Theater Company;” Ragged Wing Ensemble), best.worst.best (“10 Most Memorable Moments in Art and Entertainment for 2008,”Marin Independent Journal), ricochet, (Theater Bay Area CA$H Grant, 2010 Great Plains Theater Conference and semi-finalist for the 2011 Bay Area Playwrights Festival) and To the Birds. She is a two-time fellow at the MacDowell Colony and is co-founder of The Swap, a producing collective of playwrights from San Francisco and Los Angeles.

Andrew Braddock is a movement artist and Butoh practitioner. He is a MacDowell Colony Fellow who has worked with: Diego Piñon, Ko Morobushi, Natsu Nakajima, Joan Laage, and Nicole Legette. Last year he presented a solo performance “Never Been Deader” based on a lengthy immersion in the world of Westerns. His current work combines Butoh with current interests in religious ritual, the writing of Georges Bataille, and the stuff of weird, old America.

Jesse Bercowetz is a mixed media sculptor and installation artist. He is a New York Foundation for the Arts Fellow, a MacDowell Colony Fellow and a graduate of the School of the Art Institute of Chicago. His work has been reviewed in The New York Times, The New Yorker, Sculpture Magazine and Art Forum. His work has been exhibited at The Brooklyn Museum, NYC; PS1 / MoMA, NYC; The Headlands Center for Art, Sausalito, CA; The Brooklyn Academy of Music, NYC; Mass MoCA, North Adams and Art Basel, Switzerland.

ALEKSANDRA VREBALOV is a composer whose works have been commissioned and/or performed by Kronos Quartet, Serbian National Theater, Carnegie Hall, Moravian Philharmonic, Belgrade Philharmonic and Providence Festival Ballet. Vrebalov is a fellow of MacDowell Colony, Rockefeller Bellagio Center, New York’s New Dramatists, American Opera Projects, Other Minds Festival, and Tanglewood. Her awards and fellowships include The American Academy of Arts and Letters Charles Ives Fellowship, Barlow Endowment Commission, Highsmith Composition Competition, Vienna Modern Masters, Open Society Fund, ASCAP, Meet the Composer, and Douglas Moore Fellowship. Aleksandra holds a DMA from the University of Michigan. Her works have been recorded for Nonesuch, Innova and Vienna Modern Masters.

“dark is a different beast” is a performance about love in a time of war. The piece began as an experiment by Andrea Hart to write scenes inspired by Jesse Bercowetz’s sculptures. Consequently, structure—both figurative and literal—became the defining element in the resulting script. As we begin the rehearsal process, we are focusing on creating a structure that becomes the various elements in the play. It is the machine with which the World Powers control their world and with which they are eventually destroyed. We are also collaborating with butoh practitioner Andrew Braddock to make structure a defining element in the physicality of the performance as well as the language and design. Our collaboration combines Jesse’s background in installation, wearable art and puppetry, Andrea’s background in physical theater and stylized language and Andrew’s movement and conceptual performance. We will also collaborate with composer Aleksandra Vrebalov who will create a score that reflects the structural themes of the piece. As the staging develops it will inspire more design ideas. As those formulate, it will influence the script and physical work. This cyclical nature allows us to create in a constantly evolving manner, creating a performance that seamlessly integrates performers’ bodies, scenic design elements and language.

dark is a different beast

Monday, November 28, 2011

Excerpt from the script "dark is a different beast" by Andrea L. Hart and Sculptures by Jesse Bercowetz

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